Buying a Kate Spade handbag was a coming-of-age ritual for a generation of American women. The designer created an accessories empire that helped define the look of an era. The purses she made became a status symbol and a token of adulthood.
Ms. Spade, who was found dead Tuesday in what police characterized as a suicide by hanging, worked as an editor before making the leap to designing, constructing her first sketches from paper and Scotch tape. She would come to attach her name to a bounty of products, and ideas: home goods and china and towels and so much else, all of it poised atop the thin line between accessibility and luxury.
One of the first of a wave of American women contemporary designers who emerged in the 1990s, she built a brand on the appeal of clothes and accessories that made shoppers smile. She embodied her own aesthetic, with her proto-1960s bouffant, nerd glasses and playful grin. Beneath that image was a business mind that understood the opportunities in building a lifestyle brand, almost before the term officially existed.
Her name became a shorthand for the cute, clever bags that were an instant hit with cosmopolitan women in the early stages of their careers and, later, young girls — status symbols of a more attainable, all-American sort than a Fendi clutch or Chanel bag. Ms. Spade became the very visible face of her brand and paved the way for female lifestyle designers like Tory Burch or Jenna Lyons of J. Crew.
